Title: Roses and Rot Format/Source: Hardcover/Library
Published: May 2016
Publisher: Saga Press
Length: 320 pages
Genre: Contemporary fantasy
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Rose and Rot turned out to be very different from what I expected. I had heard some general things about it around the blogosphere prior to its release date, enough to persuade me to put it on hold without investigating further. Key words that came to mind when I thought of this book were “dark, meaning of art, adults with an awful stepmother, grown up, old moody estate building in background”. Plus, the book received kudos from Gaiman (even though I swear I know by now that him and I rarely have the same taste in books). The premise of the book sounded good enough to grab my interest.
Roses and Rot contained a number of differences from the impression I had somehow formed. Though these differences are not necessarily bad, unfortunately they were not too my taste. The primary difference is that this book has a modern setting and an urban feel. Fae form an integral part of the plot. I am not a fan of modern fairies. They usually give me a weird, uncomfortable feeling. I found the concept of tithe and benefits to be convoluted. I felt this way about a number of the plot points (and the dialogue), actually – like they were contrived, i.e. just there to push the story in a certain direction. (But hold on, aren’t all books like that? I suppose the best books make those contrivances feel incidental.) I didn’t feel any suspense with the fairy plot lines (I did wonder what Imogen and Marin’s relationship would be by the end of the book.)
“Part of the appeal of the Market is its mystery, so there’s no regular schedule, though there are traditional times. The one around Halloween is a spectacle, and there’s always one just before Christmas. But really, it appears when it wants, or when it’s needed. I know that sounds ridiculous, but it really does seem to tbe the best way to explain the randomness.” (51-52)
“Oh, and Gavin says where your charm where people can see it. Especially at the Market,” Marin said, pulling her own hourglass out so it was visible over her shirt.
“It’s like some kind of secret sing. People will ‘treat us well’ because of it, whatever that means.” (97)
The characters often seemed like teenagers. Many times I wanted to roll my eyes at them and say “Aren’t you supposed to be an adult?!” Most of the relationships felt melodramatic to me, especially the relationship between Helena and Janet. I never felt anything sympathy towards Imogen and Marin regarding their mother, who lurks in the background of this story. They often describe how she affected them, but because she’s barely a part of their lives now, I didn’t feel impacted by her awful behaviour. I loved that Ariel was the grounded character in this novel. I would like to read a short story from her perspective.
“When I don’t go to bed at night wondering if the next day is the day she’s going to show up to try to take everything I’ve worked for away from me. That was what she always said: ‘I gave you this, I can take it back.’ And I knew she could.” (204)
My favourite part of this book were the fairy tale excerpts from Imogen’s story. Although I don’t think they were as outstanding comments on Imogen’s talent would lead you to expect, they were much more to my taste. I would love to read more writing from Howard in that genre. Also, bonus points for Narnia reference.
She wasn’t offering Turkish delight from a winter sledge, but I was pretty sure the cookies would still have tasted of betrayal. (86)
The Bottom Line
Roses and Rot sounded like my kind of book, but turned out to be something entirely different. Recommended for fans of urban fairy fantasy, who want to try something a little less urban.
- Read an excerpt
- Interview @ Emerald City Review
- Review by Katie @ Katie’s Book Blog
- Review @ Reading the End
- Tor review